Future Stage is an international initiative broadly concerned with the future of the performing arts: with the needs and possibilities for media, culture, and presence in a hyperconnected world; the civic stakes of the performing arts today; emergent modes and genres of performance and organization; the architecture of future performance spaces; and the future professions that will animate those performance venues. It is both theoretical and practical: consisting in A Manifesto for the Future Stage (which was published on Oct. 25, 2021 and has now been translated into nine languages) and in an array of related hands-on projects that are connected to the manifesto’s key themes: performance as a human right, architectures that promote connectivity, expanded concepts of liveness, sustainable models of touring, a rethinking of streaming not as fallback option but instead as expressive medium, and the need for new institutional and fiscal models.
The manifesto was developed by a group of roughly forty leading figures from the performing arts world, from dancers, musicians, and actors to technologists, designers, and architects, to policy makers, tour organizers, and directors of cultural institutions over the course of six months of online convenings. The group covered the entire globe from East to West and North to South. And it was animated by the ambition of transforming the post-Covid “return to normal” not into a return, but instead into an opportunity to reimagine the future of the performing arts.
A Manifesto for the Future Stage has been published in multiple languages on these sites:
“A Manifesto for the Future Stage.” American Theatre. 5 November, 2021.
“A Manifesto for the Future Stage: Performance is a Human Right.” The Theatre Times. 20 November, 2021.
“A Manifesto for the Future Stage. Performance is a Human Right.” The African Theatre Magazine. 15 December, 2021.
“A Manifesto for the Future Stage.” Tekstualia. 27 January, 2022.
- “Будущее театра — театр будущего. Манифест исследователей Гарвардского университета о новой трансмедийной сцене.” Discours.io. 9 November, 2021.
- “El Escenario De Futuro Manifesto.” Acotaciones. Vol. 2 No. 47. December 2021.
- “Manifest für die Bühne der Zukunft.” Nachtkritik.de. January, 2022.
- “Manifest sceny przyszłości.” Tekstualia. 27 January, 2022.
- “FUTURSTAGE – Un manifesto per il palcoscenico del future.” Quinte Parallele. 8 February, 2022.
- “Performance-ul este un drept uman Un manifest pentru scena viitorului.” Scena.ro. 11 February, 2022.
- “FutureStage Manifesto.” Think Tank Research. 2022.
- “Un manifeste pour la scène du futur: la performance est un droit humain.” La gazette des festivals - Théâtre, Danse, Musique, Cinéma, Arts plastiques, Livres, Culture. 18 March, 2022.
- “Kiáltvány a jövő színházáért: Az előadás emberi jog – A harvardi metaLAB futureStage kutatási csapatának manifesztója.” Játéktér. 25 April, 2022.
futureSTAGE Manifesto Panel. Mahindra Humanities Center and metaLAB. 19 November, 2021. (English with captions).
futureSTAGE Manifesto. OnTap Podcast, Episode 53, 15 December, 2021. (English)
Klenk, Liam. “The futureStage Manifesto by metaLAB at Harvard.” TheatreArtLife. January 21, 2022. (English)
Alessandro Tommasi. “FuturStage. Saper guardare oltre il domani.” Quinte Parallele. 16 February 2022. (Italian)
Yao Yin. “Humanities and The ‘Battle of the University’.” The Crimson. 3 March 2022. (English)
Ilinca Todorut. “Free Performance: A Response to metaLAB’s futureStage Manifesto.” TheTheatreTimes.com. 3 March 2022. (English)
“FuturStage: alcune riflessioni sul futuro della formazione.” Quinte Parallele 9 March 2022. (Italian)
Kasia Lech. “Theatre as Shelter: On Artists’ in Ukraine (and Beyond) Response to the Russian Invasion.” The Theatre Times 29 March 2022. (English).
Aleks Sierz. “About the futureStage Manifesto.” AleksSierz.com 12 April 2022.
The project is coordinated by Jeffrey Schnapp (founder/director, metaLAB) and Paolo Petrocelli (director, Stauffer Academy for Strings)
Members of Research Group
- Matthew Battles (USA) Director of Scholarly Initiatives, metaLAB (at) Harvard
- Cathie Boyd (Ireland/Scotland) Founder & Artistic Director, Cryptic
- Marc Brickman (USA) Managing Director, Tactical Manoeuvre
- Paolo Ciuccarelli (Italy/USA) Founding Director, Center for Design, Northeastern University, Boston
- Wesley Cornwell (USA) Harvard Graduate School of Design
- Lins Derry (USA) Prinicipal, metaLAB (at) Harvard
- Evenlyn Ficarra (UK) Associate Director, Centre for Research in Opera and Music Theatre, University of Sussex
- Mariana Ibañez (Argentina/USA) Chair and Associate Professor, Architecture and Urban Design, UCLA; Co-founder, Ibañez Kim
- Simone Kim (USA) Director, Immersive Kinematics Research Group; Co-founder, Ibañez Kim
- Mohammed Obaidullah (Saudi Arabia) Producer
- Jay Pather (South Africa) Director, Institute for Creative Arts, University of Cape Town
- Paolo Petrocelli (Italy) Research Affiliate, metaLAB at Harvard
- Cui Qiao (China) President, Beijing Contemporary Art Foundation
- Magda Romanska (USA) Associate Professor of Theatre Studies and Dramaturgy, Emerson College; Executive Director and Editor-in-Chief, TheTheatreTimes.com
- Adama Sanneh (ITA) Co-Founder and CEO, Moleskine Foundation
- Anthony Sargent (UK) International Cultural Consultant
- Jeffrey Schnapp (USA) Faculty Director, metaLAB (at) Harvard
- Shain Shapiro (UK) Founder & CEO, Sound Diplomacy
- Sydney Skybetter (USA) Founder, Conference for Research on Choreographic Interfaces
- Jean-Philippe Thiellay (France) President, Centre national de la musique
- Shahrokh Yadegari (USA) Director, Sonic Arts Research and Development group at the University of California San Diego; Director, Initiative for Digital Exploration of Arts and Sciences at the Qualcomm Institute